- 无标题文档
查看论文信息

论文题名(中文):

 中国山水画的“荒寒”境界    

作者:

 曾海波    

学号:

 12130200012    

论文语种:

 中文    

学生类型:

 硕士    

学校:

 中央美术学院    

院系:

 中央美院    

专业:

 中国画山水    

研究方向:

 中国山水画造境研究    

第一导师姓名:

 丘挺    

第二导师姓名:

 何加林    

论文完成日期:

 2016-06-09    

论文题名(外文):

 The Study of ‘Huanghan’ in Imagery Creation of Chinese Landscape Paitings.    

关键词(中文):

 荒寒 造境 意境 诗意性 道禅 心物合一    

关键词(外文):

 Bleakness Imagery creating Artistic conception Poetic Tao and Zen Unification of Mind and Material    

论文摘要(中文):
本文围绕山水画造境的荒寒境界进行研究探讨,从历代文献资料图片中整理荒寒画境的相关作品及对这些作品的品评文章,品读这些荒寒画境的作品带给笔者的审美感知。分析它们所具有的“静空”、“寂寥”、“荒古”、“孤野”的审美特征。荒寒画境作为山水画家的一个重要审美趣味追求所形成的各方原因即荒寒画境满足了画家们在道禅哲学里所追求的寂然空无、荒凉幽冷禅境的心理需求,荒寒境界是他们绝去尘俗的灵魂寄寓所;也是儒家思想的“山水比德”、“物我合一”的具体体现;并围绕荒寒山水画和荒寒山水诗的相互影响分析它们之间的关系。
摘要(外文):
This thesis aims at study the state of ‘Huanghan’ in imagery creation of Chinese landscape paitings. Firstly, through collecting and analysing works with a characteristic of ‘Huanghan’ and relative remark literatures in all ages, the thesis concludes that these painting own aesthetic styles of quietly, lonely, open and eternity. Then the thesis analyses the reason of why so many famous Chinese landscape painters were interested in going after the state of ‘Huanghan’. For one reason, it satisfied their psychological needs of pursuing states of empty, deep, remote and cold in Tao and Zen. For another, it provided an ideal home for their soul. And it is a reflection of ‘Confucius landscape’ and ‘Unification of Mind and Material’ in Confucianism. Finally, this thesis analyse and compare influence between painting and poetry with theme of ‘Huanghan’.
馆藏号:

 12130200012    

开放日期:

 2016-06-09    

无标题文档