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论文题名(中文):

 水墨人物画主客观形象浅谈    

作者:

 李志荣    

学号:

 206L0001    

论文语种:

 中文    

学生类型:

 硕士    

学校:

 中央美术学院    

院系:

 其他学院    

专业:

 中国画    

研究方向:

 水墨人物画主客观形象浅谈    

第一导师姓名:

 华其敏    

论文完成日期:

 2007-06-25    

论文题名(外文):

 Painting On subjective and objective image    

关键词(中文):

 水墨人物画主客观形象 表现形式的水墨人物画 造型形式 绘画语言    

关键词(外文):

 Painting subjective and objective image Manifestation water ink portrait Modelling form Drawing language    

论文摘要(中文):
中国传统绘画是从表现形式来的,这就像东方固有的概念美术中的一种写意造型。表现形式美,造型形式美是通过水墨表现出来的,包含着语言形式美,主客观形象美,绘画语言论,宇宙论等。形式美是包含在水墨画语言里边的,在古代传统艺术上, 用笔墨,皴法,色彩等来表现哲学思想。在这种深层次的思想指导下,我们渐渐学到中国传统水墨人物画的精髓,并且再现出这种深刻的形象。到了创作的时候,我们也是通过传统思想来学习的。我们通过学到的东西来解开语言的艺术,再找出自己的绘画形式,做出不一样的形象美。从临摹到创作,我们渐渐领会这种精神思潮。比如我们通过学习谢赫的“六法”,来学习绘画的思想,并领悟如何表现绘画。通过对中国传统绘画的学习和领悟,我们逐渐接近美学的标准。所以作为一名中国画的学生,我们首先学习中国人物画的基本功,然后慢慢领会到它的思想和精髓。我的文章所要表述的第一阶段是关于写意画造型,不同表现形式的研究;第二阶段是关于中国写意画主客观形象的研究;第三阶段是关于绘画语言来表述中国写意画。大体上我的论文表述了上述内容。
摘要(外文):
Discourse on ink and wash figure painting from the subjective and objective point of view Chinese traditional paintings are symbols of independent cultures of China and Oriental countries, which implicate the special feature art, so-called “写意” (Xie Yi) feature art. The special feature art represents that ink and wash figure painting that contains philosophy and cosmology. From ancient traditional arts to modern arts, Chinese traditional painting, itself namely ink and wash figure painting, underlies various philosophical thoughts such as Confucianist, Taoist, Lao-tzu and Chuang-tzu. With these foundations, the Chinese traditional painting has built its basic features: Chinese brush and ink, brush touching and color control. We are now reproducing these in-depth philosophical ideas and features by making step-by-step progress through laborious studies. Furthermore, we are obligated to apply what we have learnt from traditions to the language of modern painting and re-analyze them from a new viewpoint. Traditional paintings theory also expresses that we should make much effort to perpetuate and continually develop these sprits and ideas from simple copying traditional paintings to creating them as manifestations of modern art. Overall, we have to approach Chinese traditional painting as an aggregate concept of traditional painting techniques, painting features and philosophical ideas. This study is to summarize important ink figure artists and basic concepts by key period. I conclude by describing my own painting languages which I have developed and will develop while I keep conducting my arts as a student.
馆藏号:

 1004720410124    

开放日期:

 2007-06-25    

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