- 无标题文档
查看论文信息

论文题名(中文):

 《写实油画的色彩造型语言研究》    

作者:

 薛堃    

学号:

 20420022    

论文语种:

 中文    

学生类型:

 硕士    

学校:

 中央美术学院    

院系:

 造型学院    

专业:

 美术学(油画)    

研究方向:

 写实油画的色彩造型语言研究    

第一导师姓名:

 孙为民    

论文完成日期:

 2007-06-25    

论文题名(外文):

 The research of color shadow represent    

关键词(中文):

 色彩 阴影 印象派    

关键词(外文):

 Color shadow impressionism    

论文摘要(中文):
西方油画艺术家对光、影、色的探索经历了文艺复兴﹑巴洛克﹑十九世纪三个主要阶段,印象主义绘画是在继承欧洲传统色彩理论的基础上发展起来的。印象派在强调光、影、色及用笔上与提香﹑鲁本斯等传统油画大师有着异曲同工之妙。欧洲 19世纪精深的光学﹑合成颜料的发明等等,促成了印象主义绘画在十九世纪后半叶的崛起。印象派使绘画走出了封闭的画室,进入宽广的外光世界,同时解放了固有的色彩观,把大自然的空气和阳光带给了世人,完成了绘画色彩造型的变革,用科学的方法从真正意义上表现了大自然中的真实。通过对印象派与古典绘画的对比,我认为,印象派在实景写生、笔触描绘和用“光谱色”颜料调配色彩、运用条件色作画的规律及技法的创新,尤其是让暗部﹑阴影中充满丰富的颜色等等方面,有着重要的学习价值,值得我们借鉴。文章最后结合自己的毕业创作《家庭音乐会》,说明我是如何把印象派的理论和实践成果运用到自己的创作上来的。
摘要(外文):
The exploration of western oil painting artists of light, shadow and color mainly went through three stages, namely renaissance, Baroque and the 19th century, while impressionistic painting was developed on the basis of European traditional color theory. The impressionistic group chimes with those traditional oil painting masters like Tition and Paul Rubens in terms of highlighting the importance of light, shadow, color and painting technique. The invention of sophisticated optics, compound paint and the like in Europe in the 19th century gave rise to impressionistic painting in the latter half of 19th century. Impressionism set free the old color theory by pushing painting from studio behind the door to the outside world. And impressionism revolutionizes painting color structure by bringing in fresh air and sunshine, thus being true to nature in real sense in a scientific way. By comparing impressionistic and classic painting, the writer feels that the former one is of great reference value in innovating rules and skills of sketching, describing by drawing, adopting spectral color paint, preparing color and painting with conditional color. Impressionistic painting is particularly worth learning in filling shadowy parts with rich color. The writer ends the article with one of his own works named “Family concert” to show how he integrates theoretical and practical legacy of impressionism into his own work.
馆藏号:

 1004720420022    

开放日期:

 2007-06-25    

无标题文档